Moving down the interface, we have two expanded ADSR Envelopes with Rise/Fall Sustain, three LFO’s, and three effects modules (Mod FX, Delay, and Reverb). Next up is a Noise generator with four types (White, Pink, Digital, and Crackles) and a multi-mode Filter (20 modes). But that’s not a complaint by any means Zebra2 is just absolutely massive.Īt the core of ZebraCM are two wavetable oscillators with sixteen waveforms. New look aside, ZebraCM just about scratches the surface of what Zebra2 can do, and it also takes a fixed architecture approach rather than the modular workflow of Zebra2. Now, it looks great, and more importantly, it flows much better, which should help you work faster. The old ZebraCM interface looked quite funky, but in truth, it was a bit clumsy and convoluted. Understandably, a new image doesn’t always get everyone excited, but it’s not just about aesthetics. ZebraCM (the stripped-down magazine-only version of Zebra2) is one that benefitted from a refresh and design overhaul. U-He have some great freeware versions of their flagship synths, some of which recently got a much-appreciated GUI refresh. U-He’s updated ZebraCM virtual synthesizer is now available for download with Computer Music magazine.
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